Randolph Delehanty
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Catalogue of Publications
(Click on title of book to view)

  • ​​CROWN JEWELS: FIVE GREAT NATIONAL PARKS AROUND THE WORLD AND THE CHALLENEGES THEY FACE
  • ​NEW GUARDIANS FOR THE GOLDEN GATE: HOW AMERICA GOT A GREAT NATIONAL PARK
  • THE COMPANION TO SOUTHERN LITERATURE: THEMES, GENRES, PLACES, PEOPLE, MOVEMENTS, AND MOTIFS
  • SAN FRANSISCO VICTORIANS
  • ​​RANDOLPH DELEHANTY'S ULTIMATE GUIDE TO NEW ORLEANS
  • ​ART IN THE AMERICAN SOUTH: WORKS FROM THE OGDEN COLLECTION​​
  • CLASSIC NATCHEZ: AN ILLUSTRATED TOUR THROUGH A REMARKABLE ANTEBELLUM TOWN
  • ​​NEW ORLEANS: ELEGANCE AND DECADENCE
  • IN THE VICTORIAN STYLE
  • ​SAN FRANCISCO: THE ULTIMATE GUIDE
  • ​PRESERVING THE WEST: CALIFORNIA, ARIZONA, NEVADA, UTAH, IDAHO, OREGON AND WASHINGTON
  • ​CALIFORNIA: A GUIDE BOOK
  • ​SAN FRANSISCO: WALKS AND TOURS IN THE GOLDEN GATE CITY

CROWN JEWELS: FIVE GREAT NATIONAL PARKS AROUND THE WORLD AND THE CHALLENEGES THEY FACE

Conceptualization, editing of international contributors,
author of chapter 1 Introduction to Protected Areas in the U.S. and
chapter 7 Changes in the Scientific Understanding of Nature.
157 pages with 82 color plates, 17 black & white photographs and 8 maps
Washington: American Alliance of Museums Press, May 2013
​

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This lavishly illustrated book accompanied an exhibition at the Presidio Trust at the 
Golden Gate National Recreation Area in 2014. It features various photographers 
and expert contributors from five continents. Unlike almost every other book 
on n
ational parks, this is not just a celebration of their natural beauties and 
wildlife but a deep view of the politics behind their creation and the many threats to their future in the age of climate
 change. The Introduction charts the global distribution of national parks and how much territory is protected on each continent. Chapter One is a history of national parks and other protected areas in the US from the federal Bureau of Land Management to the new private land trusts. The history of the US Park 
Service is not an even, upward ascent. This book recounts the setbacks the
parks have experienced as political winds blew hot and cold. No other book
tells this story candidly. The Last chapter—Changes in the Scientific Understanding of 
Nature— considers whether national parks can be kept “unimpaired” since
the current ecological paradigm does not assume the nature is stable or that it 
automatically produces equilibrium. 


"National parks are the canaries in the coal mine of the contemporary world. Crown Jewels remind us that our world's stunningly beautiful national parks are an irreplaceable resource with an uncertain future - and that all of us are key to securing that future."
-Randolph Delehanty, historian, Presidio Trust

"For all of us concerned about global efforts to preserve and sustain these priceless reserves of land and wildlife known as the world's national parks, Crown Jewels - beautifully illustrated, authoritatively written - offers us history, hope, and an honest appraisal of the tasks ahead."
-Ford  W. Bell, president, the American Alliance of Museums


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NEW GUARDIANS FOR THE GOLDEN GATE:
​HOW AMERICA GOT A GREAT NATIONAL PARK


​338 pages with 5 maps, 42 color plates and 44 b/w photographs.
Berkeley and Los Angeles: University of California Press, 2006. 


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This book was written by Amy Meyer, one of the co-founders of the 
Golden Gate National Recreation Area. My role was photo research 
and caption writing. Black and white photos distributed throughout the 
text record the people and events behind the creation of the park. Two 
signatures of superb color photographs by noted Bay Area photographers 
capture The Lands and Waters of the Golden Gate and a photo essay on 
Enjoying the Parks. No other national park has had its political history 
recounted by one of its founders. This is a unique story about a unique 
place and one of the signal victories of the environmentalist 1970s.    
 
“One of the almost forgotten ingredients in the modern environmental 
renaissance that exploded in the 1960s and 1970s is the role played by 
neighbors turned activists turned world savers.  [This book] takes us 
back to the time before professional environmentalism, when an entire 
movement was created from the backyard out, powered by the simple 
belief that no one knew better what should happen to a place than
the people who loved it.” 
-Carl Pope, Executive Director, Sierra Club  
​
“The most comprehensive story in print of the grassroots coalition
and political struggles of park creation.”
-U.S. Rep. Mark E. Souder (R-IN) Congressional National Park Caucus
 
“Neighbors, environmentalists, ranchers, politicians, generals, and 
scoundrels interact in this great social history.”
-Jim Chappell, San Francisco Planning and Research Associate


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THE COMPANION TO SOUTHERN LITERATURE:
​THEMES, GENRES, PLACES, PEOPLE, MOVEMENTS, AND MOTIFS


Baton Rouge: Louisiana State University Press, Spring 2002.
​

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This ten-page essay on art and artists in the South was commissioned
by the Louisiana State University Press. It is a succinct account of
the visual arts in the region from its early colonial ports and remote
plantations to the booming, modern, urbanized South. The inhibiting
influences of aniconic Baptist culture and the lack of major cities 
and their patrons meant that visual art was slow to develop in the Old 
South. As the South industrialized after World War II, and as each state
developed state universities with art departments, Southerners who 
wished to study art no longer had to travel North or to Europe. The 
cultural self-confidence of today’s South has encouraged the region’s
artists to develop highly individual and disparate styles. Contemporary
curators have also promoted “outsider art” which is often visionary,
spiritual and self-taught. Recently, attention has focussed on African
American artists in the region.  

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SAN FRANSISCO VICTORIANS
​

Photographs by Mike Blumensaadt / Essay by Randolph Delehanty
San Francisco: Chronicle Books, Spring 2000.
143 pages with 110 color plates and 1 map.

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This pocket-sized book features more than 100 photographs of the 
most distinctive facades in the city including the colorful paint
schemes of the present. The introductory essay explains how the 
wooden row house evolved to fit the city’s long lots. The photos 
are organized by the succession of styles that swept California: 
Early Styles, Greek Revival, Gothic Revival, Italianate, Eastlake 
(or Stick), Queen Anne, Shingle Style, and the Colonial and Classical 
Revival styles.  The back of the book cites the best sources to learn 
more and also lists the Victorians open to the public in Northern 
California where you can experience the various styles. 
 

​
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RANDOLPH DELEHANTY'S ULTIMATE GUIDE TO NEW ORLEANS
​

San Francisco: Chronicle Books, Spring 1998.
383 pages with 14 maps and 12 drawings


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​Witty and deliciously detailed, this book takes you on revealing 
walking tours through every layer of this unique city, whether 
French, African, Spanish, Creole, or American. The book explains 
New Orleans’s complex racial history of free whites, free people of 
color, and enslaved Africans. Both the high points and low points of 
the city’ checkered history are touched upon.  Special interest covered 
include African American sites, Jewish New Orleans, Gay New Orleans 
and Voodoo. Special attention is given to the evolution of jazz and
where to hear great music. A section on New Orleans house design 
and sociability explains the evolution of stoops, balconies, galleries 
and porches. A section in the back of the book summarizes the key
periods and landmarks in New Orleans from French settlement to
the Civil Right era. Each chapter opens with a drawing by noted
New Orleans artist Simon Gunning, who also did the cover.
 
It includes:
  • Ten guided rambles with clear maps through the city’s most interesting 
  • neighborhoods
  • Publicly accessible historic and contemporary interiors
  • Fascinating histories of the districts and local architectural styles, jazz sites, and old cemeteries
  • Recommendations on when to visit, where to stay, and where to eat and shop
  • Maps with key transit lines and taxi stands
  • A car tour up the River Road to great antebellum plantations

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ART IN THE AMERICAN SOUTH:
​WORKS FROM THE OGDEN COLLECTION


Baton Rouge: Louisiana State University Press, Fall 1996.
240 color plates with commentaries and 3 maps
​

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This large format, profusely illustrated book looks at art in 
the South and also looks at the South through its art. Roger 
Houston Ogden, an attorney and developer in New Orleans, 
has assembled one of the finest collections of southern 
American art in all media. The book opens with an essay on 
southern art and culture which traces the artistic trends and 
movements in the region, including genre painting, impressionism, 
tonalism, and the emergence of women, African American, 
and folk artists. This succinct history explains the inhibiting 
effect of anionic Baptist culture in the South and conversely the 
deep strain of spirituality in the region’s visual culture. The heart 
of the book is divided into thematic sections — landscape and light; 
rivers and seaboards; flora, fauna and clay; still lives; rural and urban
scenes; Southerners; and spirit, soul, and signs in the South.
Each double page spread presents artworks in conversing pairs, 
enabling the viewer to follow the progress of artistic movements 
and styles as they unfolded over time. The book presents the 
persistent and striking counterpoint of academic art and folk, 
or outsider, art among both Black and white self-taught artists 
that is so distinctive of the visual arts in the South today. A selected 
bibliography, index of artists, and general index concludes the volume. 
 
The Ogden Collection became the seed of the Ogden Museum of 
Southern Art in New Orleans: www.ogdenmuseum.org.  

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CLASSIC NATCHEZ:
​AN ILLUSTRATED TOUR THROUGH A REMARKABLE ANTEBELLUM TOWN


Text by Randolph Delehanty / Photographs by Van Jones Martin.
Savannah: Golden Coast Publishing, 1996.
164 pages with 120 color photographs and 3 maps.


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Natchez is unique. The first important port on the Mississippi River
upriver from New Orleans, she sits on a commanding bluff with an
oceanic view of lowland Louisiana across the water to the west. 
Natchez took its name from the mound-building Indigenous people 
whom the French dispossessed. Later the British and then the
Spanish empires held this strategic fort on the great river. It became 
US territory in 1795 and the first capital of the new Mississippi
Territory. In the nineteenth century, enormous wealth was accumulated 
by cotton planters using enslaved African labor. Many of those 
planters from the region chose not to live on their remote properties
but to cluster in the City of Natchez for a richer social life and to educate 
their children. They ringed the town with a crescent of extraordinarily 
opulent suburban villas in all the latest architectural fashions set in
spacious “parks”. All survived the Civil War. This book features 
43 landmark houses and their intact, or restored, interiors. This is the 
most comprehensive and informative book about this genuinely unique 
Southern city. An illustrated timeline with maps, archival photographs, 
architectural renderings, and floor plans prefaces the portfolio of 
beautiful contemporary color photographs by Van Jones Martin. 
​
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NEW ORLEANS:
​ELEGANCE AND DECADENCE


Photographs by Richard Sexton
224 pages with 230 color photographs and 2 maps
San Francisco: Chronicle Books, Fall 1993, revised 2005.


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New Orleans - a city where seductive, Old World elegance combines with a kaleidoscope of African influences and the revelry of Mardi Gras to create a contemporary ambience, unique among cities. An impressionistic tour-de-force, New Orleans: Elegance and Decadence reveals
​a city at once enigmatic and complex. Richard Sexton's lush photographs capture the interiors, furnishings, art collections, and gardens of New Orleans residences where classic refinement and cultivated decadence are gracefully juxtaposed. Randolph Delehanty's insightful observations about the city's history reveal its many different faces.
New Orleans: Elegance and Decadence celebrates the joyous spirit of this distinctive culture and is an inspiration to those of us everywhere who pursue the art of living. 

"A dreamy poem of a book... A tribute to a lifestyle of insouciance and exuberance, touched by both spirituality and worldliness... Rarely has the city been loved so wisely and so well."
-New Orleans Times - Picayune

"Signs of age and the patina of centuries are celebrated at every turn... This is the definitive volume for those who've wanted to visit sunny verandas and shotgun cottages in New Orleans."
-San Francisco Chronicle

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IN THE VICTORIAN STYLE

Text by Randolph Delehanty / Photographs by Richard Sexton.
San Francisco: Chronicle Books, October 1991, revised 2006.
192 pages with 170 color photographs and 2 maps. 


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San Francisco’s Victorian houses, collectively among the finest in
North America, are masterfully captured in this authoritative work.
This is the definitive sourcebook for architects, designers, decorators,
and lovers of Victorian homes everywhere. As much a social and cultural
history as an architectural one, this book traces the development of
Victorian domestic architecture explaining how new methods of
financing, marketing, construction, utilities, and furnishing made
it possible to build whole neighborhoods of these expressive houses.
As the topic sentence of the Introduction says: “The San Francisco 
Victorian house was essentially modern.” The text incorporates the 
voices of the Victorians themselves and relates how cultural values and 
changes in family life shaped these buildings from within. It goes beyond 
facades and parlors and explores the rarely seen details of private 
living spaces including kitchens and pantries, bedrooms, bathrooms, 
and back porches. Detailed floor plans, color coded according to public, 
private, or servant spaces, “read” Victorian family life and social 
structure in architectural plans. Richard Sexton’s more than 150 color
photographs record individual houses, period rooms, architectural details, 
rows of Victorians and sweeping cityscapes showing how these now-
treasured buildings fit into one of the most beautiful cities in the world. 
This book was the result of my years as the first historian for The 
Foundation for San Francisco’s Architectural Heritage in the 1970s 
at the dawn of the preservation movement and my work as the first 
curator of the Haas-Lilienthal House built in 1886.    
www.haas-lilienthalhouse.org.

“Far and away the finest book ever published on Victorian architecture 
in San Francisco.”
-Allan Temko, Pulitzer Prize-winning architectural critic, 
San Francisco Chronicle

 
“One of the best books ever done on American domestic architecture.
-Marcus Binney, architectural writer for The Times (London).


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SAN FRANCISCO:
​THE ULTIMATE GUIDE (REVISED)


San Francisco: Chronicle Books, July 1989, revised edition June 1995. 
496 pages with maps and drawings. 


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(1995)
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“The definitive reference for both tourist and native.”
 
Chronicle Books titled this book the “ultimate” guide because of 
its historical depth and expansive coverage. It is the result of about 
25 years living in, reading about, walking through, lecturing on 
and pondering the special character of the City of San Francisco
and the incomparable Bay Area. The heart of the book is a series 
of 16 self-guided walks organized around key historic sites,
beautiful interiors open to the public, museums, parks and gardens,
commercial strips and scenic viewpoints in one of the world’s
most beloved cities. It explores and explains 14 of the city’s most
diverse and colorful neighborhoods as well as the economic engine
of the vibrant, walkable, architectural distinguished Financial District. 
Union Square, Pacific Heights, Nob Hill, Chinatown, North Beach and 
Telegraph Hill, Russian Hill, Fisherman’s Wharf, the Mission District,
Japantown, the Castro, the Haight-Ashbury, Golden Gate Park, and
the Presidio on the spectacular Golden Gate are all included.  
Each tour travels through particular architectural zones and relates the 
deep social histories of who lived there, how they have changed over 
time, and what role they played, and still play, in the collective cultural 
life of this dynamic city. It includes all the usual information in a good 
guide but goes much deeper than most. It seeks to answer the question of
how and why this distinctive urban culture developed and transformed
a sandy, scrubby, hilly site into a splendid, creative and beautiful
cityscape universally considered one of the greatest in the world.  

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PRESERVING THE WEST:
​CALIFORNIA, ARIZONA, NEVADA, UTAH, IDAHO, OREGON AND WASHINGTON


Photographs by E. Andrew McKinney.
New York: Pantheon Books and The National Trust, October 1985.
181 pages with 250 black and white photographs

​

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This book was commissioned by The National Trust for Historic
Preservation. Its aim was to look not only at individual landmarks
but at entire historic landscapes important in western history that
were threatened by oblivion or over-development. I first made a list
key themes in western history — Indigenous peoples, the Spanish
Missions, the blending of Mexican and Anglo peoples, ranches,
regional barns, Army posts and military heritage, boom and bust 
mining towns, the irrigated Mormon landscapes, earthquakes and 
preservation, early design control in 1920s Santa Barbara, the 
vanishing modern architecture of Los Angeles, the Columbia River 
Scenic Highway and early automotive landscapes, reinvestment in 
old industrial cities, and citywide preservation successes. I then 
consulted with the State Historic Preservation Officer or staff historian 
in each of the seven states to refine my list and locate the best
examples and make contact with local preservation organizations
and experts. Then photographer E. Andrew McKinney and I planned
a series of loops through the region and set out by auto to photograph
the places in this book. As we traveled, I refined my list and added
places that were not being preserved but deserved to be. I then sent
each chapter to a local expert for corrections and suggestions.
Many westerners were generous with their knowledge and time. 
Andrew’s good humor, expert driving, strong coffee brewed in motels 
and out on the open range, and quick and professional work were 
key to this project. It is an important visual record of preservation in 
the American West in 1985.  


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CALIFORNIA:
​A GUIDE BOOK

 
San Diego: Harcourt Brace Jovanovich, 1984.
364 pages with various maps and a California Chronology.


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A wit once divided all the earth into two parts, California and
Elsewhere. For California is more than just a place; it is a 
state of mind. Many who come here to visit come back to stay.
It happened to me. This guide was the result of a dozen happy 
years spent exploring the Golden State. Written in 1983-84,
(in snowy Cambridge, Massachusetts, of all places), it sought to 
capture the essence of California’s natural and man-made wonders. 
Selectivity was its guiding principle. Thus of the 21 Franciscan 
missions, only five are included. Among the cities, San Francisco’s 
compact downtown is covered in detail while Los Angeles’s more 
diffuse, less attractive, though economically stronger downtown is 
only given brief notice. Westside L.A., on the other hand, from 
Hollywood through Beverly Hills to Malibu, offers more than enough 
world-class sights. The guide emphasizes modern design in Southern 
California, especially early twentieth masterpieces in Los Angeles 
and Pasadena. Disneyland is interpreted as an American creation myth. 
Victorian neighborhoods are the focus in San Francisco, Ferndale and 
Eureka. Stanford, UC Berkeley and UC Santa Cruz are covered. Of the 
multitudinous national, state, and county parks and reserves, only the 
most spectacular are included. Anza-Borrego Desert and Death Valley, 
the Big Sur Coast, the choicest redwood groves, and iconic Yosemite 
Valley in the high Sierra. The book concludes with a seven-page 
California Chronology. While much has changed since 1984, 
especially in southern and central California, the historical and 
cultural themes woven through the guide are still relevant. It is my 
own California dream to travel the whole state again and update this 
classic guide. Perhaps the Fates (and an adventurous publisher!) 
will allow it.  


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SAN FRANSISCO:
​WALKS AND TOURS IN THE GOLDEN GATE CITY


New York: The Dial Press, Fall 1980.
340 pages with 29 maps and drawings. 


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“My goal was to read San Francisco’s architecture and people
the way a detective would read the scene of a crime, that is,
to look not only at a place, but through it to visualize the
people whose lives it was and is.” 
 
This was my first book and took me 9 years to complete. I began in
1970 reading at the incomparable Bancroft Library at UC Berkeley. 
From 1973 to 1978 I was the first historian at The Foundation for 
San Francisco’s Architectural Heritage at the dawn of the preservation
movement. See
sfheritage.org/news/heritage-50-educational-affairs/ 
Many years teaching San Francisco, California, and American history
ensued at San Francisco State University. One ofmy courses was “San
Francisco: Biography of a City.” Nancy Van Itallie at The Dial Press acquired
this ambitious historical architectural guide and was my first editor. The
​superb ink drawings were created by gifted architect William Walters.
The guide covers North Beach and Telegraph Hill, the Financial District and
Jackson Square, Eastern Pacific Heights, Mission Dolores and the Mission 
District, Nob Hill, Chinatown, Russian Hill, the Haight-Ashbury, Golden Gate
Park, the Castro and Noe Valley, Eight Great Interiors, and Fisherman’s Wharf
and Ghirardelli Square.

This book captures the Golden Gate city at the turning-point late 1970s
after the hippie flowering but before the tech boom. Now it, too, is history.   
 
Reviews of San Francisco: Walks and Tours in the Golden Gate City:
 
“Delehanty is a literary essayist in this own right, seeking to fix in sight
the visual symbols of a city’s heritage and inner life.”

--Kevin Starr, San Francisco Examiner 
 
“Definitive and authoritative”

--Don James, Los Angeles Times  
 
"Mash Note: It's muck without meaning, but the last two sentences on
page --- rise to splendid prose I wish I'd written. Them Jebbie's obviously 
taught you rhetoric"

--Briefly Penitent Self-Appointed Editor
  [David R. Simmons, San Francisco] 

“Guidebook? No. Natives and buffs alike will say this is one of the most 
accessible histories of San Francisco.”
—Patricia Holt, San Francisco Chronicle


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